As I was walking to see my friend Daren at And Beige this weekend (where I picked up a lovely Voluspa Orangerie candle), I was stopped in my tracks by the current exhibition at Morton Fine Art Gallery. From outside, I was taken back by the serene images through the front window. I had to go in and see these large scale canvases up close. And now I want them all.
Choichun Leung has created these magnificent creamy, watery, glittery paintings by pouring diluted pigments and acrylic paints onto canvas. The water moves about and freely designs itsself. Sanding down and painting over again reveals calligraphic scripts and memories. They are absolutely gorgeous and breathtaking. I am currently selecting living room art for a client and found these to be perfect for the lofty space.
The artist explains this process in a way we can all relate:
Our memories are not historical accounts of what happened but what we choose to extract, interpret, retain or forget and is a key aspect of our personal identity. How we remember the past is how we propel ourselves into the future, it moulds our interaction with people, current events and experiences. Some memories are shaped by language, others by imagery, some are deeply suppressed through trauma. Yet they emerge consciously and unconsciously in our everyday lives without us oftentimes noticing. They are clues to what was, a blue print of our past selves. My work is simple traces of that activity- in the faintest of watermarks symbolic of the fading and passing of time and in the improvised scripts where subconscious thoughts emerge and are obscured.